 | This stunning daybook presents 365 entirely new, utterly dazzling images from master aerial photographer Yann Arthus-Bertrand. The pictures cover every corner of every continent, from icy arctic floes to tropical forests, from the deserts of north Africa to the vertiginous peaks of Nepal. Arthus-Bertrand's breathtaking, full-colour photographs are accompanied... |
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 | Richard Kalvar, a member of the elite club of Magnum photographers, has an exceptional eye and a talent for catching moments when societal behavior becomes humorous or shifts into the absurd. His compelling duotone photographs document the human condition. Kalvar seeks to emphasize the unusual, and his penetrating lens reveals a unique brand of humanity. |
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 | Eero Saarinen was one of the world's most celebrated architects at the time of his death at the age of 51; he designed and built more than 35 buildings in his lifetime and collaborated on 30 more with his father, renowned architect Eliel Saarinen. Eero's career began in childhood: As the son of the esteemed Eliel, designer of Cranbrook Academy in Bloomfield Hills... |
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 | Egon Schiele has a reputation as a bad boy of art.
Rejected by his family and hounded by a scandalized society for his interest in young girls, he laced his drawings and paintings with fierce expressions of sexuality and death.
This profusely illustrated book surveys Schiele's extraordinary life, and delves into both the controversial... |
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 | PHOTOFILE brings together the best work of the world's great photographers in an attractive pocket-size format and at an easily affordable price. Handsome and collectable, each volume in the series contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction, a chronology and a bibliography.
Utterly individual... |
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 | The 'Encyclopedia of Nineteenth-Century Photography' is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global - an important 'first' in that authorities from all over the world have contributed... |
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 | How is film changing? What does it do, and what do we do with it? This book examines the reasons why we should be studying film in the twenty-first century, connecting debates from philosophy, anthropology and new media with historical concerns of film studies. When the common frameworks for studying film - the nation, identity, representation, Hollywood... |
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